It's déjà vu with a twist; it’s like seeing double, vision telescoped into now and then. It’s the high school reunion: an enterprising school mate has organised a reunion off her own bat. Just as well as our high school waved sayonara 20 years ago. Thank goodness for Facebook, and modern technology, which is how this all came together.
Arriving at the venue, there are pictures posted up from our years in high school. There are veld school photos in which one classmate urges another to put a spider on her face to earn extra points, pictures of us in our blue blazers and cheap blue dresses, captured on rinky compact cameras from the 1980s. It’s like looping back through a time warp. Add to that a video of the matric dance that has been unearthed. The colours are blown, the quality from the stretched tape is atrocious, and the dresses and hairstyles are enough to embarrass the hardiest of individuals. There are puffed skirts and equally puffy hairstyles, and who decided that Dynasty-era shoulder pads were flattering?
And then a flashback to the controversy of that matric dance. It was held at the Carlton Centre – back when the Carlton Centre signalled a certain larniness and our little old matric dance event made the Sunday newspapers. There was outrage that a school was spending so much on a venue. What was wrong with the school hall? Well, for starters, it was a school hall. Another sign of the times. Today matric dances are regularly held in fancy places and the dresses can be even more outrageously priced.
And so, one by one, the greetings, the whoops of recognition, and it’s like watching a split screen. In the same instant that you’re talking to an old classmate, you’re flashing back to the way you remember them in a not so innocent teen era. Girls with jerseys wrapped around their waists, boys who once sported blazers now slouching in T-shirts. This weird kind of here and there feeling carries on all night. You’ve stepped back in time, and yet, you also haven’t.
That is, of course, when you’re talking to those you remember. It’s even more disconcerting when you’re confronted with a familiar face and you know that you knew their name at some point, and here they are saying “Hello” and your mind’s a complete blank.
The questions are inevitable, predictable. After you’ve got what do you do out of the way, it’s time for “Are you married, do you have children?”
I’m surprised at how many singles there are, and also how many are divorced. I shouldn’t be, divorce is a ubiquitous part of modern life, but there you are. You know these people as teenagers – how could they have done such an adult thing as divorce?
Sadly, and also inevitably, the class has been thinned out by emigration. Two thirds have left the country for one or another reason, and two have already passed on. It’s an evening of fun and jocularity but we remember them.
Time warp continues: looking at the sea of faces we’re lily white. We’re talking of a government school in the 1980s, the only difference between us lay in religion; you were either Jewish or Christian. Other races didn’t, seemingly, exist.
You reconnect with a friend and spend hours reminiscing about the conversations you used to have at break on philosophy and psychology and wonder why you ever lost contact. You reconnect with others, and find yourself reaching across time to engage in conversation with those you never spoke to while at school.
“Don’t let’s leave it another 20 years!” says a class mate with an infectious laugh that you’ve never forgotten. The next day the photos are already up on Facebook, there’s talk of converting the old matric dance video to a DVD, and as you click through the old photos posted online, you feel, once again, as though you’re peering through a time vortex.
First published January 31 2010 The Sunday Independent
Sunday, February 7, 2010
Thursday, January 7, 2010
Freedom
Freedom is a man with one arm,
a happy smile showing perfect white teeth,
a man who answers the phone in Maintenance with a chirp in his voice.
I am asking for my window to be raised.
After years of being shut against the noise and chaos of the city
it’s rusty and won’t budge.
But Freedom can’t help, will have to call someone.
I only have one arm, his smiling voice says.
Hurriedly, I put some levity in my voice too.
Ok, thanks, whenever.
But no-one ever comes to fix the window.
Some accident in a lift shaft, says the secretary.
He was alone in the lift, had his arm out,
the lift suddenly fell, his arm ...
Workers’ compensation.
Months later I still see Freedom walking
around the building, face still set in an endless smile,
arm still bandaged, the stump ends below the elbow.
Sometimes it dangles, the bandages crisp and white.
Sometimes he uses it rakishly, crooking into the corner of his waist,
and always that smile as he saunters around the building, helps out
where only one arm will do.
(Published on African Writing Online)
a happy smile showing perfect white teeth,
a man who answers the phone in Maintenance with a chirp in his voice.
I am asking for my window to be raised.
After years of being shut against the noise and chaos of the city
it’s rusty and won’t budge.
But Freedom can’t help, will have to call someone.
I only have one arm, his smiling voice says.
Hurriedly, I put some levity in my voice too.
Ok, thanks, whenever.
But no-one ever comes to fix the window.
Some accident in a lift shaft, says the secretary.
He was alone in the lift, had his arm out,
the lift suddenly fell, his arm ...
Workers’ compensation.
Months later I still see Freedom walking
around the building, face still set in an endless smile,
arm still bandaged, the stump ends below the elbow.
Sometimes it dangles, the bandages crisp and white.
Sometimes he uses it rakishly, crooking into the corner of his waist,
and always that smile as he saunters around the building, helps out
where only one arm will do.
(Published on African Writing Online)
I'll always miss dreaming my dreams with you
Marianne Faithfull on YouTube takes me back.
It’s the 70s, green eye shadow colours her lids
and her blonde hair is flipped sweetly back.
Swaying gently, she’ll always miss
dreaming her dreams with you.
Saying, someday she’ll get over you.
Your birthday’s in two days.
Forty.
Did you ever think you’d reach that age?
I imagine you with two kids, a wife,
in the wintry north of Canada.
Takes me back.
The night we celebrated
your twenty-seventh in an Italian restaurant
and had carrot cake with your family after.
The only birthday of yours we celebrated together.
How many since?
I doubt you count, or know any more.
I’ll always miss dreaming my dreams with you.
(Published on African Writing Online)
It’s the 70s, green eye shadow colours her lids
and her blonde hair is flipped sweetly back.
Swaying gently, she’ll always miss
dreaming her dreams with you.
Saying, someday she’ll get over you.
Your birthday’s in two days.
Forty.
Did you ever think you’d reach that age?
I imagine you with two kids, a wife,
in the wintry north of Canada.
Takes me back.
The night we celebrated
your twenty-seventh in an Italian restaurant
and had carrot cake with your family after.
The only birthday of yours we celebrated together.
How many since?
I doubt you count, or know any more.
I’ll always miss dreaming my dreams with you.
(Published on African Writing Online)
You're only ten weeks old
You’re only ten weeks old,
and yet you were born
thirteen years ago,
out of the death of one relationship,
a cat was acquired. A birthday gift.
Then another. A cat unloved looking for a home.
Then you, escaping life as a feral,
reared away from your wild mother.
But I waited, how long,
thirteen years, I counted the other day.
You had your genesis then, in the break-up
with a man allergic to your kind.
What would we have done?
But we didn’t do anything, and
instead you emerged
all these years later, black and white and pink.
But you take me back.
I look at you and remember him,
the man who could not tolerate cats.
Knowing how different life would have been.
You wouldn’t be here.
I wouldn’t be wondering.
Perhaps I’d be sprouting a wedding ring,
or divorce papers.
Instead, ten weeks off, pushing into life,
two days to his birthday,
I remember your birth thirteen years ago.
(Published on African Wrting Online)
and yet you were born
thirteen years ago,
out of the death of one relationship,
a cat was acquired. A birthday gift.
Then another. A cat unloved looking for a home.
Then you, escaping life as a feral,
reared away from your wild mother.
But I waited, how long,
thirteen years, I counted the other day.
You had your genesis then, in the break-up
with a man allergic to your kind.
What would we have done?
But we didn’t do anything, and
instead you emerged
all these years later, black and white and pink.
But you take me back.
I look at you and remember him,
the man who could not tolerate cats.
Knowing how different life would have been.
You wouldn’t be here.
I wouldn’t be wondering.
Perhaps I’d be sprouting a wedding ring,
or divorce papers.
Instead, ten weeks off, pushing into life,
two days to his birthday,
I remember your birth thirteen years ago.
(Published on African Wrting Online)
The English Cemetary
Catherine Charlotte Anne Eliza,
Graeme Hepburn,
and Henrietta Augusta,
dead, within months of each other.
Dead at two- and four- and nine-years-old,
within the dreadful year of 1851 going into 1852.
Beloved children of Patrick and Mary,
the words are still firmly chiselled, so clear and so
legible more than 150 years later
as I wonder through.
Dead and buried in the cemetery for
non-Catholics of long ago.
In times past they would have been
buried upright on the beach,
washed to sea at night, pecked by gulls,
forgotten.
Kicking through the hot Málaga morning,
trying to make sense of yet another season
in the city of my birth, I step into the
English cemetery. A quiet in the heart of this now
roaring place where they’re now digging up the earth
to make an Underground.
I feel almost peaceful.
I find the graves of the writer Gerald Brenan,
amigo de España reads the gravestone.
Friend to Spain, the words are touching,
as though Spain were reaching out,
vulnerable, wanting to be liked.
His wife, dead in 1968,
‘Fear no more the heat of the sun’,
born in Malta, Gerald Brenan dies in Málaga,
described forever more as an escritor inglés, the
English writer.
Does language always define your nationality?
I wonder too, wandering. Kicking pebbles,
the ground is hard, tough, briny, the sun and
soil do not produce a natural green lawn
in this part of the world.
An urn lies empty beside Brenan’s grave.
Joseph Bertram Griffin dies at the age of forty-eight
in Torremolinos in 1968.
It’s not just in past centuries that people die young.
This time though, instead of a deadly childhood disease,
might it have been cancer?
The grammar is odd: ‘The love of your little Zizi,
the husband you was’.
A plaque for John Bevan who dies in 1816,
too early, before the formation of this cemetery.
Geoffrey Herbert Bruno is buried here in 2000,
even now the grounds are being used.
I look at the apartment blocks,
awnings pulled down against the heat,
and the familiar washing flutters from the lines.
Do they even notice the cemetery now, a fixture,
do they subconsciously avoid it at night,
because, after all, you never know?
What will it take to become Spanish?
In the shop I use my own language again,
it spurts out like vomit.
Effortlessly and without having to think.
The woman who answers me is herself a hybrid:
an Italian American who loves and lives in Spain.
Any donations welcome.
I am the only visitor today.
I don’t want to buy expensive soaps I can’t afford.
The woman runs the American club,
and the shop in this cemetery.
Her husband was a journalist too.
He died last year.
I scurry on, join a group of Spanish women
excitedly exploring the bullring.
I look at them, a tourist to their joy.
Home? A hankering for the crisp, clipped
vowels of the language I speak.
How long does it take before you stop
rushing off to English cemeteries
trying to catch something intangible?
Before you can stop plucking at a little heart of England
gone wild,
in this bustling little city?
(First published on African Writing Online)
Graeme Hepburn,
and Henrietta Augusta,
dead, within months of each other.
Dead at two- and four- and nine-years-old,
within the dreadful year of 1851 going into 1852.
Beloved children of Patrick and Mary,
the words are still firmly chiselled, so clear and so
legible more than 150 years later
as I wonder through.
Dead and buried in the cemetery for
non-Catholics of long ago.
In times past they would have been
buried upright on the beach,
washed to sea at night, pecked by gulls,
forgotten.
Kicking through the hot Málaga morning,
trying to make sense of yet another season
in the city of my birth, I step into the
English cemetery. A quiet in the heart of this now
roaring place where they’re now digging up the earth
to make an Underground.
I feel almost peaceful.
I find the graves of the writer Gerald Brenan,
amigo de España reads the gravestone.
Friend to Spain, the words are touching,
as though Spain were reaching out,
vulnerable, wanting to be liked.
His wife, dead in 1968,
‘Fear no more the heat of the sun’,
born in Malta, Gerald Brenan dies in Málaga,
described forever more as an escritor inglés, the
English writer.
Does language always define your nationality?
I wonder too, wandering. Kicking pebbles,
the ground is hard, tough, briny, the sun and
soil do not produce a natural green lawn
in this part of the world.
An urn lies empty beside Brenan’s grave.
Joseph Bertram Griffin dies at the age of forty-eight
in Torremolinos in 1968.
It’s not just in past centuries that people die young.
This time though, instead of a deadly childhood disease,
might it have been cancer?
The grammar is odd: ‘The love of your little Zizi,
the husband you was’.
A plaque for John Bevan who dies in 1816,
too early, before the formation of this cemetery.
Geoffrey Herbert Bruno is buried here in 2000,
even now the grounds are being used.
I look at the apartment blocks,
awnings pulled down against the heat,
and the familiar washing flutters from the lines.
Do they even notice the cemetery now, a fixture,
do they subconsciously avoid it at night,
because, after all, you never know?
What will it take to become Spanish?
In the shop I use my own language again,
it spurts out like vomit.
Effortlessly and without having to think.
The woman who answers me is herself a hybrid:
an Italian American who loves and lives in Spain.
Any donations welcome.
I am the only visitor today.
I don’t want to buy expensive soaps I can’t afford.
The woman runs the American club,
and the shop in this cemetery.
Her husband was a journalist too.
He died last year.
I scurry on, join a group of Spanish women
excitedly exploring the bullring.
I look at them, a tourist to their joy.
Home? A hankering for the crisp, clipped
vowels of the language I speak.
How long does it take before you stop
rushing off to English cemeteries
trying to catch something intangible?
Before you can stop plucking at a little heart of England
gone wild,
in this bustling little city?
(First published on African Writing Online)
Monday, January 4, 2010
When I was thirty-four I dialled your number again
When I was thirty-four I dialled your number again
sitting on a curb in the Spanish village of Nerja,
in the bright afternoon sun.
But when you answered there were awkward silences.
You said you had lost your English,
and I had to wonder if it was true.
You had a wife now, and even children, I think:
it would be convenient to lose your English.
I sighed. My Spanish wasn’t up to much.
And although I understood your request for me to
remember you to my cousin, it wasn’t
enough to hold a conversation.
It felt late, so very very late, that afternoon in a village in Spain,
there was only a bar open behind me
as the siesta snored on. I
t felt very very late
as I pressed the end call button
and sighed into the autumn air.
(First published on African Writing Online)
sitting on a curb in the Spanish village of Nerja,
in the bright afternoon sun.
But when you answered there were awkward silences.
You said you had lost your English,
and I had to wonder if it was true.
You had a wife now, and even children, I think:
it would be convenient to lose your English.
I sighed. My Spanish wasn’t up to much.
And although I understood your request for me to
remember you to my cousin, it wasn’t
enough to hold a conversation.
It felt late, so very very late, that afternoon in a village in Spain,
there was only a bar open behind me
as the siesta snored on. I
t felt very very late
as I pressed the end call button
and sighed into the autumn air.
(First published on African Writing Online)
Lone woman on a cruise
Every night now, and it’s the fifth night
of a week-long cruise down the Danube.
She sits there, a lone woman, must be eighty
if she’s a day, they say.
She drinks cocktails, watches the band,
stays right till they’ve finished their last set.
She buys them drinks in the break, and
they always sit with her.
And then, when the music starts up,
she sits alone again.
A grandmother?
Surely not, surely a grandmother wouldn’t be so devoted?
A lover? No! She’s too old. The band members too young.
A groupie? A lone, single groupie, they decide.
By day they see her, bundled up, scarf on against
the chill spring air. Escorted, one hand guiding her
always one of the young men from the band.
She doesn’t look at them staring, walks on,
averts her eyes. Is she ashamed?
Does she travel alone?
Every week, till the season’s finished, through chilly
April days right through to the end, to October’s balmy nights.
The sights, so new to them, are
part of her living room scenery now.
It’s just what she chooses to do with her summers.
The band member, a cherished great-nephew.
This year she’s dying,
fading away, cancer’s spreading.
It’s just what she chooses to do,
how she’s going to live, this one last summer.
There’s nothing more to it.
(First published on incwadi)
of a week-long cruise down the Danube.
She sits there, a lone woman, must be eighty
if she’s a day, they say.
She drinks cocktails, watches the band,
stays right till they’ve finished their last set.
She buys them drinks in the break, and
they always sit with her.
And then, when the music starts up,
she sits alone again.
A grandmother?
Surely not, surely a grandmother wouldn’t be so devoted?
A lover? No! She’s too old. The band members too young.
A groupie? A lone, single groupie, they decide.
By day they see her, bundled up, scarf on against
the chill spring air. Escorted, one hand guiding her
always one of the young men from the band.
She doesn’t look at them staring, walks on,
averts her eyes. Is she ashamed?
Does she travel alone?
Every week, till the season’s finished, through chilly
April days right through to the end, to October’s balmy nights.
The sights, so new to them, are
part of her living room scenery now.
It’s just what she chooses to do with her summers.
The band member, a cherished great-nephew.
This year she’s dying,
fading away, cancer’s spreading.
It’s just what she chooses to do,
how she’s going to live, this one last summer.
There’s nothing more to it.
(First published on incwadi)
Saturday, September 26, 2009
Search for alarm clock shows I may be out of time
According to a report in last week’s Daily Telegraph, the alarm clock may well be going the way of the dodo. Apparently more and more people are using their cellphones as alarm clocks – that’s in addition to their multi-use as cameras, access to e-mail and the internet and so on.
But I didn’t need to read that article to know that alarm clocks are hitting the skids.
I searched for one for months, yes months, a seemingly ordinary thing that has become harder to find than, well, VHS video tapes. Because yes, I do still buy those. I’m one of the few people left who doesn’t have a PVR, doesn’t see the point of one when my ancient dual view machine is still functioning, and yet has to record just about everything to accommodate a crazy schedule.
So yes, I can still find VHS tapes – although that does take perseverance – but alarm clocks are becoming just about impossible to buy. My search for an alarm clock wasn’t prompted by a reluctance to use my cellphone as an alarm clock. I recently acquired a new touchscreen cellphone with a 5MB camera – and my big bulky digital Nikon has barely seen the light of day since.
I’m all for small is big and I am just about umbillically attached to my technology. In fact, I love the alarm tone on my cellphone – it’s a cheery happy party-like ring and you wake up not groaning but smiling It’s a real “come on, let’s get up and party” type of ring tone. I wish more cellphones or, ahem, alarm clocks, would incorporate this fun tone in their repertoires. Instead, my search has been prompted by the plethora of SMSes that come to me throughout the night and pop up alarmingly early in the morning, disturbing my precious beauty sleep.
There are the usual suspects: my service provider sending me a note to tell me I have used more than half my free minutes and it’s only the 5th of the month, or again, my service provider sending me a little recording with dancing characters, letting me know about the latest, greatest specials on offer. Never mind the offers I receive to purchase discount furniture, discounted theatre tickets and to view property – all of which come cheerily bleeping through at odd hours of the morning.
Add to that the messages I receive from my friends, to whom, dear as they are, SMS etiquette does not seem to exist. I have had SMSes at two in the morning – from a friend who couldn’t sleep and was contemplating a job change in the dark and needed to tell me about it. Or another who knows that I don’t exactly keep normal hours and made a cartoon of a photo she had taken of me and sent it at midnight. Or the SMS I received, complete with picture, from another at 1am telling me she was just catching the midnight sun in some Arctic place. Then there are the 7am SMSes on a Saturday or Sunday asking if I would like to see a movie that night. 7am on a Saturday? Who could possibly be up at that time, never mind planning their evening?
So, my next solution was to turn the phone on to silent, but what do you know, the thing vibrates everytime a message comes through, and wakes me, and no amount of fiddling with buttons and controls seems to turn off that vibrate function and, believe me, I have gone through every menu and submenu on that phone.
Hence the search for a cheap, ordinary alarm clock. Finally, after weeks of searching I found a big ugly thing, rather primitive looking and without even a light you can touch should you be up at 3am turning on your cellphone just in case a really, really important message has come winging through the ether…
(Published in First Words, Sunday Independent, September 20 2009)
But I didn’t need to read that article to know that alarm clocks are hitting the skids.
I searched for one for months, yes months, a seemingly ordinary thing that has become harder to find than, well, VHS video tapes. Because yes, I do still buy those. I’m one of the few people left who doesn’t have a PVR, doesn’t see the point of one when my ancient dual view machine is still functioning, and yet has to record just about everything to accommodate a crazy schedule.
So yes, I can still find VHS tapes – although that does take perseverance – but alarm clocks are becoming just about impossible to buy. My search for an alarm clock wasn’t prompted by a reluctance to use my cellphone as an alarm clock. I recently acquired a new touchscreen cellphone with a 5MB camera – and my big bulky digital Nikon has barely seen the light of day since.
I’m all for small is big and I am just about umbillically attached to my technology. In fact, I love the alarm tone on my cellphone – it’s a cheery happy party-like ring and you wake up not groaning but smiling It’s a real “come on, let’s get up and party” type of ring tone. I wish more cellphones or, ahem, alarm clocks, would incorporate this fun tone in their repertoires. Instead, my search has been prompted by the plethora of SMSes that come to me throughout the night and pop up alarmingly early in the morning, disturbing my precious beauty sleep.
There are the usual suspects: my service provider sending me a note to tell me I have used more than half my free minutes and it’s only the 5th of the month, or again, my service provider sending me a little recording with dancing characters, letting me know about the latest, greatest specials on offer. Never mind the offers I receive to purchase discount furniture, discounted theatre tickets and to view property – all of which come cheerily bleeping through at odd hours of the morning.
Add to that the messages I receive from my friends, to whom, dear as they are, SMS etiquette does not seem to exist. I have had SMSes at two in the morning – from a friend who couldn’t sleep and was contemplating a job change in the dark and needed to tell me about it. Or another who knows that I don’t exactly keep normal hours and made a cartoon of a photo she had taken of me and sent it at midnight. Or the SMS I received, complete with picture, from another at 1am telling me she was just catching the midnight sun in some Arctic place. Then there are the 7am SMSes on a Saturday or Sunday asking if I would like to see a movie that night. 7am on a Saturday? Who could possibly be up at that time, never mind planning their evening?
So, my next solution was to turn the phone on to silent, but what do you know, the thing vibrates everytime a message comes through, and wakes me, and no amount of fiddling with buttons and controls seems to turn off that vibrate function and, believe me, I have gone through every menu and submenu on that phone.
Hence the search for a cheap, ordinary alarm clock. Finally, after weeks of searching I found a big ugly thing, rather primitive looking and without even a light you can touch should you be up at 3am turning on your cellphone just in case a really, really important message has come winging through the ether…
(Published in First Words, Sunday Independent, September 20 2009)
Sunday, September 6, 2009
Dachau
The statue of starving, granite figures
grasp against the Bavarian blue sky.
I stop there, pause,
can't go on any longer,
hit delete.
Germany glides past me.
Tall, long-storied houses
line the banks of the Danube.
We drift, at night,
I imagine I live long ago,
and that I row a boat with my goods
past houses shuttered to me.
I can't look anymore.
Download, then hit delete,
usually I check, look one more time,
but not this time.
Days later, and I can't look.
I thought it had not affected me.
Walking around, taking notes for a story,
taking photos of a place that is not beautiful,
listening to a guide tell us of the horrors.
Only once, alone in the cement corridor
of the VIP prison unit did I feel
what went on here.
And I almost ran towards the light
coming from the door ajar at the end of the corridor.
Even at night, alone in a hotel room
with the TV in German for comfort
and an empty bowl of tomato soup,
I did not feel it.
Then aboard a luxury river liner,
with too much food served and prepared,
I can't look.
Months later, the words still won't come.
The article is unwritten,
there are too many words to express it.
By day you feel the long forgotten brown buildings,
long torn down,
at night, one can only imagine what you'd feel.
Churches, a synagogue line the end of it,
prayers for peace, prayers to cleanse the ground.
There's a statue, yet another, of a prisoner,
skinny in his garb of oversized coat:
'Den toten zur ehr
Den lebenden zur mahnung'
A homage to the dead,
a warning to the living.
Hit delete, once, over and over again.
The brown buildings exist.
The houses glide past.
I imagine I'm a man in another life.
(Published on Big Bridge 2009 issue)
grasp against the Bavarian blue sky.
I stop there, pause,
can't go on any longer,
hit delete.
Germany glides past me.
Tall, long-storied houses
line the banks of the Danube.
We drift, at night,
I imagine I live long ago,
and that I row a boat with my goods
past houses shuttered to me.
I can't look anymore.
Download, then hit delete,
usually I check, look one more time,
but not this time.
Days later, and I can't look.
I thought it had not affected me.
Walking around, taking notes for a story,
taking photos of a place that is not beautiful,
listening to a guide tell us of the horrors.
Only once, alone in the cement corridor
of the VIP prison unit did I feel
what went on here.
And I almost ran towards the light
coming from the door ajar at the end of the corridor.
Even at night, alone in a hotel room
with the TV in German for comfort
and an empty bowl of tomato soup,
I did not feel it.
Then aboard a luxury river liner,
with too much food served and prepared,
I can't look.
Months later, the words still won't come.
The article is unwritten,
there are too many words to express it.
By day you feel the long forgotten brown buildings,
long torn down,
at night, one can only imagine what you'd feel.
Churches, a synagogue line the end of it,
prayers for peace, prayers to cleanse the ground.
There's a statue, yet another, of a prisoner,
skinny in his garb of oversized coat:
'Den toten zur ehr
Den lebenden zur mahnung'
A homage to the dead,
a warning to the living.
Hit delete, once, over and over again.
The brown buildings exist.
The houses glide past.
I imagine I'm a man in another life.
(Published on Big Bridge 2009 issue)
Subscribe to:
Posts (Atom)
.jpg)
