Set on a luxury game farm in the Kalahari, Shireen Jilla’s
The Art of Unpacking Your Life
is an entertaining, although at times flawed novel type of read about a group
of old university friends from England celebrating a birthday.
An entertaining read about the choices we make in our lives |
The birthday is that of forty-year-old Connie, who
has been responsible for bring them all to South Africa. It’s set on Gau, a fictional
lodge, but one that closely resembles those in real life, lending an authenticity
to this novel. The story opens as the group arrive on the reserve, with a “sociable
weaver bird nest splayed across the acacia thorn tree like an ancient,
sun-damaged headdress”.
Jilla’s writing is evocative and descriptive,
bringing the sun-baked yet mysterious Kalahari desert alive through the story,
from descriptions of the typically thatch lodge to the burning sands, to the wild animals who survive there.
At first it’s a little hard keeping
track of the characters, but each soon emerges in their own right as strongly well-developed
individuals. There’s Connie’s philandering politician husband, Julian, devoted
to her, certainly, but with each infidelity he wounds her further, although she’s
long got used to it, or so she thinks. There’s Sara, an ambitious single
barrister who’s come away on this trip harbouring a guilty secret about her
latest case. Lizzie bemoans the path her life has taken – no man, and a low-end
job in which she’s failed to advance.
Author Shireen Jilla |
There’s sensitive Luke – newly divorced
– and an old flame of barrister Sara, and Matt, having a surrogate baby with
his new wife, which he confesses soon after they all arrive. Daniel wants to
settle by buying land, but his partner Alan is less sure about that, which
highlights a crack in their relationship.
And then there’s Gus, the game
ranger, who will add further spice to the mix with his own blend of romantic
allure.
The story of their individual
dramas and a series of revelations plays out against the backdrop of the days
at the lodge, the game drives, a night spent in the dessert for “the girls” of
the group, and the sightings of the animals, which lends further excitement and
tension to the story. This is what I like to call a “travel novel” in which the
action is set against a place foreign to the protagonists, in which place is
both character and mover of the action as that of the characters. And Jilla
writes well about the African bush, bringing it to vivid real life.
At times the plot development
becomes a little too obvious, a tad trite, but by then you’re so well engrossed
in the story that you barely notice. This is a well-written,
entertaining read about the choices we make in our lives, and the hope that can
undo those decisions we thought were written in stone.