Saturday, August 13, 2011

Poetry: South African women writing their bodies - Gillian Schutte

There has been a proliferation of poetry coming out of South Africa over the past few years – and much of this poetry has been scribed by women writing their bodies. From the wants and needs of their vaginas to the conflicting emotions that a period may bring on, to the inner stirrings of desire and lust – women are writing it all down and lots of it is getting published.

Says award-winning poet Arja Salafranca: “I think some of this has been due to the really sterling efforts of Colleen Higgs at Modjaji Books – she’s putting out a record number of poetry volumes by women writers – more so than any other publisher. This creates awareness and interest in the form.” ...Read more here

Friday, August 12, 2011

An apple in Munich

I think a red apple won’t be good enough.
A red apple plucked from a bowl on a luxury
river cruise liner, carried in my bag for two days.
An apple cratered on board in Passau,
placed in the industrial deep freeze and displayed
five days later in a white china bowl somewhere in rural
          Hungary.
And then plucked by me, craving fresh fruit
after days of rich six-course meals.

But it languishes in the bowl in my cabin.
Until, packed, looking around, I grab it,
stuff it in my travel bag.
You never know when you’ll get hungry at airports,
said an elderly woman on board.
We fly from Budapest to Munich.
Catch a train to the city centre.
It’s a cool spring, but the city streets, flanked by
history and beggars, are still full of strolling Germans.

It won’t be good enough, will he take it?
I ask the Scotsman with me. Surely he’d prefer money?
But the Scotsman takes it, gives it to the beggar
huddled in a doorway and without hesitation
the beggar, not even looking up, bites hungrily
into the fruit, devouring it quickly, desperately,
without words of debate.

Published on LitNet

Short story form challenges and inspires writers: a report by Leila Bloch on the Cape Town launch of The Edge of Things

For an anthology of short stories, The Edge of Things includes both depth and scope, with several writers who seem (to varying degrees) unafraid of entering new literary territory. Published by Dye Hard Press, selected and edited by Arja Salafranca, these 24 stories are a special fiction edition of the literary journal Green Dragon.

At the launch, facilitated by Salafranca, a predominantly female group of writers clustered around a podium and steered the familiar how-and-why, question-and-answer session towards more spontaneous conversation. During the evening writers explained how they found inspiration while also skilfully adapting their writing to the short story format...Read more here

Thursday, August 4, 2011

Joburg pix, not taken

A man, having his head shaved,
highlighted by the dusk of early evening.
All around him, gathering darkness, except his head,
this small stall, lit by phosphorescence,
haloed by a weird greenish purple light.
A flash of colour.
I drive on.

Another man, lurching across the road.
Perhaps forty, mouth already gummy,
long brown hair scraggly,
head shakes, words spill out,
but they mean nothing.
I let him pass, a smile of gratitude,
before he reverts back.

A woman, whose breasts are wide and flat,
fat bulges under her cheap beige knit.
She strolls, slatternly, slowly,
I must wait, gunning my engine.

The man who puts his hand through my window.
Takes hold of my keys: Give me money now.
No, I say, surprised. No, again. I won’t give you my keys.
Eyes darting, afraid, he runs away.
No, I carry on, although no one can hear me.
Money in the boot, not much.
I don’t carry much these days.
Money, along with camera,
tucked away in the boot,
where they can hurt nobody.

Published on LitNet

Wednesday, August 3, 2011

Report on the Cape Town launch of The Edge of Things

Last Thursday night saw the Cape Town launch of The Edge of Things, an anthology of South African short fiction selected by me and published by Dye Hard Press. This followed a month after the Jozi launch at Love Books in Melville.

Hosted by The Book Lounge, the launch was a chance for me to meet some of the Cape Town writers with whom I’d previously only had email dealings, as well as a chance to catch up with writing friends...Read more here

Friday, July 29, 2011

Review of A Book of Blues by Courttia Newland

This eclectic, diverse, and interesting collection ranges across countries – from the exotic African island of Lamu, off the coast of Kenya, to the heat of Miami, to the coldness of the underground to the gritty, roughly-hewn streets of London. In tone and style too, this collection offers a range: Beach Boy, which opens the book is an intensely lyrical piece; while in All Woman the narrator talks in a Caribbean patois-accent, and other stories zing with humour and sassiness.

I have to start with the achingly beautiful and memorable Beach Boy, a story of such poetry, it lingers on long after the first reading, and a story I wished would carry on..Read more here 

Kate Turkington and Arja Salafranca at Tau Game Reserve, North West

Monday, July 25, 2011

Exploring sounds of father-son relationship

Now showing at the Old Mutual Theatre on the Square from July 13-30, My First Sony is a one-man show with Israeli Roy Horowitz, in the title role of 11-year-old Yotam.

The title refers to Yotam’s obsession with recording every sound uttered by those in his life –  providing an audio diary, and a way of making sense of his world. He needs it, with an irresponsible, womanising father who continually berates the insecure Yotam about his weight problem, criticism serving as mask, and further eroding Yotam’s fragile sense of self.

Horowitz presented the phenomenal play The Time Keepers last year at the same theatre, and brings a similar energy to this one-man show.

In a question-and-answer session after the show, he revealed that he has been playing the role of Yotam, off and on, for the past 15 years. He became intrigued by the novel by Benny Barbashe when he was fresh out of acting school, met the Israeli writer and persuaded him that he was the right man to adapt the book into a play.

The result is a poignant, moving piece of theatre with a rather shocking ending, a beguiling exploration of a father-son relationship filtered through a young boy’s eyes. Highly recommended.

(Published in The Sunday Independent, July 24, 2011)