Real people have complex lives. The ones who, from the
outside, look as though they are enjoying idyllic stress-free existences are
often the sources of the most conflict. It takes work to look fine all the
time. That’s often why love is such a respite – it’s an opportunity to relax
the guard we construct for others. To breathe above the water, if only for a
moment. But, it is reckless to believe in stability, always.
The Thin Line, a collection of short stories from
South African writer Arja Salafranca, provides snapshots into the
lives of real, flawed humans. Short stories seem to place more pressure on a
sentence, and Salafranca’s prose is tight. Many of her descriptions had me
nodding jealously, aptly capturing some characteristic of South Africanisms.
That is because these short stories are not only
about people, but also reflect the changing context and themes of South African
middle-class existence. The theme of crime, emigration, the fear of violence
travel through many of the stories, revealing the characters through their
reactions to these themes. Her devices are slick and impressive.
First published here
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